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Top Urdu Shayari on Haasid – Urdu Poetry on Jealous in Hindi Kavita

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In the intricate tapestry of Urdu poetry, the theme of hasad (jealousy) has been delicately woven into the verses of many venerable poets. Mirza Ghalib, a luminary of classical Urdu Shayari, captured the essence of haasid with profound elegance. In his timeless couplets, Ghalib explores the bitter tendrils of jealousy, painting a vivid portrait of the heart’s tumultuous conflict. His ghazals, such as those found in “Diwan-e-Ghalib,” resonate with the emotional echoes of envy, revealing the subtle nuances of this complex emotion through the lens of his poetic mastery.

2 Line Urdu Shayari on Haasid / Jealous

fazaa ajiib sii manzar ajiib dekhte hai.n
ham haasidiin ko apne qariib dekhte hai.n
AHMAD IMAM

Kya Burai Bhala Ye Kehne Me
Jo Bhi Khush Hai Ham Us Se Jalte Hen
Jaun Elia

saath ahbaab ke haasid bhii zaruurii hai.n ‘adiim’
ham suKHan apnaa sunaate jahaa.n saare hote
ADEEM HASHMI

be-muravvat bevafaa naa-mehrbaa.n naa-aashnaa
mere qaatil mere haasid mere dushman aap hai.n
BAHADUR SHAH ZAFAR

mai.n ne mustaqbil me.n jaa kar ek lambii saa.ns lii
phir mire maazii kii sab haasid havaa.e.n mar ga.ii.n
RAFI RAZA

Best Urdu Poetry on Hasad / Jealousy

gavaahii degaa ik din KHud miraa munsif mire haq me.n
dharii rah jaa.e.ngii saarii daliile.n mire haasid kii
IQBAL SAJID

kitnaa haasid huu.n ki ik tuu hii miraa apnaa hai
aur tuu Thiik se ha.nstaa bhii buraa lagtaa hai
ADEEM HASHMI

sitaaro.n se hasad kii intihaa hai
mai.n qabro.n par charaaGaa.n kar rahaa huu.n
MOHSIN NAQVI

ye hasad hai ki mohabbat kii ijaara-daarii
darmiyaa.n apnaa bhii saaya nahii.n dekhaa jaataa
ABBAS TABISH

mujh se uu.nchaa tiraa qad hai, had hai
phir bhii siine me.n hasad hai? had hai
JEEM JAZIL

Conclusion: Value of Hindi Kavita about Hasad and Haasid

In the contemporary realm of Urdu poetry, poets like Faiz Ahmed Faiz and Ahmed Faraz have continued to breathe life into the theme of hasad. Faiz, in his collection “Nuskha Hai Wafa,” navigates the labyrinth of jealousy with poignant verses, while Faraz, in “Tanha Tanha,” unveils the modern facets of envy through new Urdu ashaar. These poets artfully infuse their words with the raw intensity of human emotions, forging a connection between the timeless allure of Urdu Shayari and the universal experience of jealousy. The poetic landscape thus echoes with the sentiments of haasid, a testament to the enduring power of Urdu poetry to illuminate the intricacies of the human soul.

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